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The Hôtel-Dieu was founded on 4 August
1443, when Burgundy was ruled by Duke Philip the
Good (Philippe le Bon). The Hundred Years War had
recently been brought to a close by the signing
of the Treaty of Arras in 1435.
Massacres, however, continued with marauding
bands ("écorcheurs") still roaming the
countryside, pillaging and destroying, provoking
misery and famine. The majority of the people of
Beaune were declared destitute. Nicolas Rolin,
the Duke's Chancellor, and his wife Guigone de
Salins, reacted by deciding to create a hospital
and refuge for the poor.
The courtyard has a rectangular format and is the
best location to admire the different buildings
three of which are decorated with a glazed-tile
roof.
The technique has probably its origins in Central
Europe but became quickly a landmark of the
architecture from Burgundy.
These tiles have four colours (red, brown, yellow
and green) with interlaced designs. The current
tiles have been recreated between 1902 and 1907.
The Northern, Eastern and Western buildings
include a two-level gallery with stone columns on
the ground floor and wood beams on the first
floor. Many dormer and attic windows have finely
detailed wood and iron works.
The Hospices de Beaune received the first patient
on 1st January 1452. Elderly, disabled and sick
people, orphans, women about to give birth and
the destitute have all been uninterruptedly
welcomed for treatment and refuge, from the
Middle Ages until today. Services for patients
are now provided in modern hospital buildings.
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Over the centuries, the hospital radiated
outwards, grouping with similar establishments in
the surrounding villages of Pommard, Nolay,
Meursault. Many donations - farms, property,
woods, works of art and of course vineyards -
were made to it, by grateful families and
generous benefactors.
The institution is one of the best and oldest
example of historical, philanthropic, and
wine-producing heritage, and has become linked
with the economic and cultural life of
Burgundy
The Hall of the Poors (below) is 50
meters long, 14 metres wide and 16 metres high.
On the ceiling, the visible painted frame is is
in the shape of an upside down boat (broken
barrel vaulting) and on each beam are carved
caricatures of some of Beaune's important
inhabitants accompanied by animal heads
symbolising their various failings!
The chapel is an integral part of the hall,
symbolising the alliance between the religious
and medical practices performed in the building.
Guigone de Salins was buried in this chapel.
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The hall is furnished with a row of curtained
beds along each side. The central area was
dedicated to benches and tables for the meals.
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St Hugues room, created in 1645 at the
instigation of Maitre Hughes Betault, has always
been dedicated to the sick (left and
below).
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Nine of the eleven wall paintings are by Parisian
artist, Isaac Moillon. The reredos
(right) depicts a miracle involving St
Hugues in which he brings two child plague
victims back to life.
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